2010/1−2 (19)

7−34; >Zusammenfassung 35−41<

Mari Laanemets. Happenings und Design – Visionen der Einheit von Kunst und Leben

41−67; >Summary 68−72<

Anu Allas. The Soviet Absurd: Estonian art of the 1960s against the backdrop of existentialism

72−98; >Summary 99−102<

Elnara Taidre. Approaches to the Subject of Outer Space in Soviet Estonian Graphic Art

103−117; >Summary 118−121<

Tõnis Tatar. The Poetics of the Olav Maran Still-life

122−139; >Summary 140−144<

Epp Lankots. Narrativity in Contemporary Architectural Historiography: Some possibilities for reading Leo Gens’ texts

145−159; >Summary 160−162<

Jüri Hain. Villem Raam – the Keeper of Continuity of Art Culture

163−176; >Summary 177−180<

Merle Tank. An Insight into Estonian Art Writing 1917–1928: From Hanno Kompus to the Group of Estonian Artists

181−206; >Zusammenfassung 207−211<

Liia Rebane. Gold und Braun, Gold und Purpur. Über die neuzeitliche Einbandkunst anhand eines Einbandes von Kaspar Meuser

212−229; >Summary 230−234<

Andreas Ventsel. Hegemonic Process of Signification in Photographs

Focus

235−255

Walter Benjamin. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.
Translated by Mati Sirkel

260−288

Reviews

289−294

CHRONICLE 1.01.–31. 12.2009