7–14
Ideology and Art. Virve Sarapik, Andreas Ventsel
15–32
Aleš Erjavec. Ideology as World-View and Two Early Avant-Garde Movements
33–48
Jaak Tomberg. The Awakening of the Dystopian Hero: On the Ambiguity in the Utopian Form
49–72
Stella Pelše. Latvian National Art after 1934: Ideology, Practice and Evaluation
73–86
Pillė Veljataga. The Ideas of Modern Catholicism and Lithuanian Art Criticism in the 1930s
87–108
Liisa Kaljula. Estonian Sots Art! Appropriation of Soviet Visual Culture in the Early Work of Raul Rajangu
