7–21; >Summary 22–25<
Jaak Kangilaski. Additions to the Discussion of Post-colonialism
26–50; >Summary 51–58<
Andres Kurg. Feedback Environment: Rethinking Art and Design Practices in Tallinn During the Early 1970s
59–91; >Summary 92–97<
Mari Laanemets. Art Against Art. Rethinking the Role and Position of the Artist in Estonian Art in the 1970s
98–113; >Summary 114–117<
Kadri Semm. The Subjective Meaning of Milieu through the Example of Arne Maasik’s Atmospheric City Photography
118–129; >Summary 130–134<
Marek Volt. How Can We Justify the Aesthetic Attitude?
135–154; >Summary 155–158<
Kai Stahl. The Space of Culture and the Theme of Prostitution in Natalie Mei’s Drawings
159–185; >Summary 186–190<
Reet Rast. Animo grato vovit. Early Modern Epitaph Altars in Estonia
191–207; >Summary 208–211<
Jelena Pogosjan, Maria Smorzhevskihh-Smirnova. Peter I’s Icon from the St Nicholas Church in Tallinn: Iconography and Ideology
Focus
213–228
Mieke Bal. Lugeda kunsti
Translated by Ingrid Ruudi
PDF
Findings
229–236; >Summary 237–238<
Anu Mänd. Chalice of the Finström Church in Åland – An Addition to Estonian Medieval Goldsmith’s Works
PDF
239–263
Reviews
265–271
CHRONICLE 1. I – 31. XII 2010
273
Authors
