2011/3–4 (20)

Special Issue ‘A Century of Estonian Cinema’ Edited by Eva Näripea

9–10

Eva Näripea. Foreword

11–27; >Summary 28–33<

Virve Sarapik, Alo Paistik. Film Reception in Estonia in the Early 20th Century: From Fairground to Entrance Hall Entertainment

34–57; >Summary 58–61<

Eva Näripea. New Waves, New Spaces: Estonian Experimental Cinema of the 1970s

62–92; >Summary 93–96<

Mari Laaniste. Reflections of Self and Surrounding Circumstances in Priit Pärn’s Films The Triangle and Hotel E

97–119; >Summary 120–123<

Andreas Trossek. The Death of Dark Animation in Europe: Priit Pärn’s Hotel E

124–139; >Summary 140–143<

Mari Laaniste. Conflicting Visions: Estonia and Estonians as Presented in the Cinema of the 1990s and 2000s

144–161; >Summary 162–165<

Katre Pärn. The Author’s Conceptualising Presence in Film: A Stylistic Analysis of Sulev Keedus’ Georgica

166–187; >Summary 188–191<

Ewa Mazierska. Postcommunist Estonian Cinema as Transnational Cinema