2024/1-2 (33)

7-19

Krista Kodres, Kädi Talvoja. Eriteema / Special Edition

20-46

Krista Kodres. The Invention of the History of Estonian Art

47-72

Kristina Jõekalda. ‘Conservation Sins’: The History of Concepts and Attitudes in Baltic German and Estonian Monument Protection, 1880–1940

73-98

Mari Nõmmela. Exhibitions of the Tartu Art Museum as creators of art history

99-125

Kädi Talvoja. National Art Schools or Stereotypes? Reviews on Baltic Art in the Vilnius Painting Triennials, 1969–1987

126-154

Triin Metsla. The Necessity of De-Canonisation and a Multi-Vocal Canon: Towards a More Horizontal Approach to Art History

155-179

Johannes Saar. And Prototype Turns to a Stereotype... Vernacular Estonian Artist Novel, an Intertext of Pious Fable and Misogyny

180-208

Ragne Soosalu. Designer, Woman, Baltic German: the Atelier für Kunstgewerbe in the Context of the Baltic Provinces in the Early 20th Century

209-238

Margus Tamm. Social Bandits in Urban Space: Street Art and the Communicative Turn in Protest Culture at the Turn of the Millennia

FOCUS

239-160

As an art historian during the Soviet era and after.
Interview with Juta Keevallik

REVIEWS

 

261-164

Wide Horizons of Medieval Art. Elina Räsänen

265-270

Allumatute kehade kodustamiskatsed. Anita Kodanik

271-275

Perifeeriat maha raputades. Triin Ojari

276-278

An important study disguised as a PhD thesis. Juha-Heikki Tihinen

279-283

Võimust muuseumis muuseumi võimuni. Anu Kannike

284-288

Ajaloouurimuslikud probleemid kunstimuuseumi näitustel. Rebeka Põldsam

289-295

Michel Sittow in the North: objects and scholars in dialogue. Saila Leskinen

295-296

Mälu ja mäletamise poliitikad. Margaret Tali

297-300

CHRONICLE

301-304

AUTHORS