Tojana Račiūnaitė. The Art History of Invisible Originals, or ‘When Shadows Talk…’
30–45
Jolita Mulevičiūtė. Hunting for the Phantom, or the Prospects of Studying Nineteenth-Century Lithuanian Art
46–75
Kristiāna Ābele. The Baltic-Latvian Family Tree of Artists’ Dictionaries in the Nineteenth and Twentieth Centuries, between Amateurism and ‘High’ Art History
76–106
Baiba Vanaga. Women Artists and their Work as a Subject of Exhibition Reviews in Latvia: The 1840s–1915
107–129
Bart Pushaw. Living Stones and Other Beings: Earthen Ecologies within Baltic Visual Culture, 1860–1915
130–152
Ieva Kalnača. The Manifestations of Orientalism in Latvian Architecture and Art during the Second Half of the Nineteenth Century and First Third of the Twentieth Century as a Versatile Research Platform
153–173
Laima Laučkaitė. Our Alien Legacy: German Art during World War I in Vilnius
174–192
Ieva Astahovska. Visionary Worlds of the Cold War
193–222
Jüri Kermik. Time and Place: Young Estonian Designers in the 1980s
223–249
Agnė Narušytė. Post Ars Photo Performances: Material for Research or a Work of Art?
250–264
Julija Fomina. How to Represent a Present? Constructing the Notion of ‘the Contemporary’ in Lithuanian Art Exhibitions of the Last Decade of the Twentieth Century
265–280
Linara Dovydaitytė. The Problem of Public Participation in Art Museums
Ülevaated
281–287
Artist’s Personality in Latvia’s Art-Historical Monographs since the Beginning of the Twenty-First Century. Stella Pelše
288–292
Art History of Latvia: Some Editorial Comments on a Project in Progress after Publishing Volume V Period of Classical Modernism and Traditionalism. 1915–1940. Eduards Kļaviņš
