2014/1–2 (23)

7–27; >Summary 28–31<

Anu Allas. Experimental Performance / Instrumental Theatre: Roundel of Cremona (1968)

32–50; >Summary 51–55<

Anneli Porri. Interpreting an Appropriative Work of Art: The Broken Thread by Marge Monko

56–82; >Summary 83–86<

Ave Randviir-Vellamo. Imepilt’s Newsgames as an Art Practice and Novel Form of Journalism

87–115; >Summary 116–119<

Margus Tamm. Place and Interventionist Art

120–139; >Summary 140–143<

Maria Jäärats. Between the Bourgeois Past and the Socialist Realist Future: Discourse on Socialist Realism in Estonian Art Criticism in 1944–1948

144–171; >Summary 172–176<

Kadi Polli. Wilhelm von Blanckenhagen (1761–1840). Ein livländischer Kunstmäzen in Rom und seine Kunstsammlung an der Universität Tartu

177–194; >Summary 195–199<

Margus Vihalem. Revolt against Schopenhauer and Wagner? An Insight into Nietzsche’s Perspectivist Aesthetics

200–212; >Summary 213–217<

Regina-Nino Kurg. Artworld as Horizon: A Phenomenological Analysis of Unaided Ready-Mades

219−235

Focus

237−267

Reviews

269−276

CHRONICLE 1. I–31. XII 201

279

Authors