<h3>Focus</h3>
<h6>139–147</h6>
<p><span class="bold">Gottfried Boehm.</span> Teispool keelt? Märkmeid piltide loogika kohta<br />
<span class="italics">Translated by Anu Allas</span></p>
<h6>149–172</h6>
<p>Reviews</p>
<h6>173–182</h6>
<p>CHRONICLE 1. I – 31. XII 2014</p>
<h6>183</h6>
<p>Authors</p>


Rene Mäe. Culture, Economy and Work in 2000s–2010s Estonia

 Johannes Saar. Art Discourse of Melodrama. Discursive Analysis of Feature Stories in the Daily Newspaper Äripäev’s Monthly Supplement Gentleman

Kadri Asmer. Neo-Conservative Cultural Theory

Kadri Semm. Polygon Theatre as a Reflexive Method for Landscape Study

Anne Kokkov. Roman Ingarden’s Approach to the Perception of the Picture Juxtaposed with Edmund Husserl’s Approach

Marge Paas. The Experience of Empathy with a Subject Depicted in an Artwork: A Phenomenological Analysis

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&quot;Kunstiteaduslikke Uurimusi&quot; on MTÜ Eesti Kunstiteadlaste ja Kuraatorite Ühingu ajakiri, mis avaldab originaaluurimusi kunstiajaloo, -teooria ja visuaalkultuuri vallast, erialaste raamatute ja sündmuste ülevaateid.

Kunstiteaduslikke Uurimusi

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2015/1–2 (24)

7–25; >Summary 26–36<

Rene Mäe. Culture, Economy and Work in 2000s–2010s Estonia

37–56; >Summary 57–60<

Johannes Saar. Art Discourse of Melodrama. Discursive Analysis of Feature Stories in the Daily Newspaper Äripäev’s Monthly Supplement Gentleman

61–73; >Summary 74–76<

Kadri Asmer. Neo-Conservative Cultural Theory

77–101; >Summary 102–104<

Kadri Semm. Polygon Theatre as a Reflexive Method for Landscape Study

105–118; >Summary 119–122<

Anne Kokkov. Roman Ingarden’s Approach to the Perception of the Picture Juxtaposed with Edmund Husserl’s Approach

123–134; >Summary 135–137<

Marge Paas. The Experience of Empathy with a Subject Depicted in an Artwork: A Phenomenological Analysis

Focus

139–147

149–172

173–182

183