2020/1–2 (29)

7–30; >Summary 31–34<

Luule Epner, Eero Epner. The Hybrid Aesthetics of the Auteur Theatre of Ene-Liis Semper

35–58; >Summary 59–62<

Virve Sarapik. Cybernetics and Semiotics: The Taming of the Shrew, or Contacts with 1960s Soviet Abstractionism

63–86; >Summary 87–89<

Andrus Laansalu. Connections Between an Object and a Fragment

90–116; >Summary 117–120<

Liisa-Helena Lumberg. ‘Pro-Raphaelites’. The Classical Ideal in Religious Art and the Actor Potential of Artworks in Estonia and Livonia in the First Half of the Nineteenth Century

121–144; >Summary 145–149<

Kerttu Palginõmm. Zwei franko-flämische Agraffen aus dem spätmittelalterlichen Reval als Beispiele für symbolische Kommunikation




Chronicle 1. I – 31. XII 2019