Luule Epner, Eero Epner. The Hybrid Aesthetics of the Auteur Theatre of Ene-Liis Semper
35–58; >Summary 59–62<
Virve Sarapik. Cybernetics and Semiotics: The Taming of the Shrew, or Contacts with 1960s Soviet Abstractionism
63–86; >Summary 87–89<
Andrus Laansalu. Connections Between an Object and a Fragment
90–116; >Summary 117–120<
Liisa-Helena Lumberg. ‘Pro-Raphaelites’. The Classical Ideal in Religious Art and the Actor Potential of Artworks in Estonia and Livonia in the First Half of the Nineteenth Century
121–144; >Summary 145–149<
Kerttu Palginõmm. Zwei franko-flämische Agraffen aus dem spätmittelalterlichen Reval als Beispiele für symbolische Kommunikation
